Building an Online Suite: Almost done

Aside from the desk and some simple things like an end table and filing cabinet, my edit suite is done. I’ve already had one client in to do an HDCAM output, and other than my own ignorance of 720p issues, everything worked as expected. Other than my desk, I just need to take care of various paperwork and my company website.

The room turned out just like I wanted. It’s nice and quiet inside the edit suite, and the light is pleasing. All the equipment is hidden in the next room where I can get at it easily. One sucky thing is that I don’t have a rack, so inputs and outputs are spread across the back of the Mac Pro tower, the Mojo DX, and the loose Kona cables. I can probably solve that problem with some short BNC cables and female / female adapters. Then I’ll have short extension cables that I can bundle together and hook up as necessary without crawling around the back of the machines.

Everything up and running, still on a cheap desk
Everything up and running, still on a cheap desk
closer up image of work area
closer up image of work area
equipment in the next room
equipment in the next room, connected to HDCAM deck off-screen

Building an Online Suite: Early Messy Progress

Today I went to my new online room and started piecing things together. A lot of my gear has arrived, and now I’m just waiting on the major pieces of equipment from my reseller, and the desk. The desk will be the very last thing to arrive (end of January), so it’s going to look crappy for now while I use a temporary desk.

And here it is:

Wide view of temporary editing desk
Preliminary editing setup

What a mess. Here you can see the small, temporary desk I’m using for now, and the two Samsung desktop monitors. I also need room for the grading monitor and scopes. You can also see the chair I got, which is a used Aeron I scored today. I’ve resisted Aerons for a long time because I felt they were the symbol of all that was wrong with the dot-com era. But that was the year 2000, and 8 years later everyone still recommends the Aeron so I broke down and finally gave in. What I really like is that it has a feature that lets you either lock the back upright or allow you to recline. While I’m working I can lock the chair, and when I view cuts I can recline. Ahhhh.

You can also see a stuffed penguin ((more on that in a later post)) and some other desk tchotchkes.

The RAID

8TB RAID, with one spare drive
Lifezero RAID and accessories

This is my LifeZero RAID, echoblack variation. It consists of a ProAvio Editbox 8MS, 8 1TB drives, and a RocketRaid 3522 hardware RAID card ((I’ll post a more complete analysis of the RAID once I get the rest of the system)). The target price for a LifeZero RAID is 2K$, but I decided it was ok to go a little higher than that by getting better-quality drives. The drives I bought are 1TB Hitachi 7K1000’s, which has a reputation as being a benchmark high-performance drive even though it’s a couple years old.

I also bought one extra drive as a spare. If a drive dies in a few years, it’ll be next to impossible to find the same model of drive so I would probably have to get something “similar” and hope everything works out ok. Instead, by spending an extra 110$ on a drive now, I have a nice insurance policy that should help extend the life of the RAID.

I ripped open all the packages, screwed the drives onto their rails, and inserted them into the enclosure. Even though I don’t have a computer to connect it to, I powered it up just to see what would happen. It did not explode. All the lights lit up and it’s extremely quiet. This is going to be fun!

Other bits and pieces

Aside from the RAID, I also took care of some little issues. The free couch I got was looking a little dirty, so I ripped off the cushions so I can wash them. They’re in the drier now 🙂

couch with removed cushions
laundry day, or pillow fight aftermath?

There’s also a window near the ceiling letting in ugly fluorescent light from the rest of the office, so I blocked that with a hi-tech rectangle of cardboard. It’s not as hideous as it sounds:

cardboard blocking a window
Sophisticated light blocking device

The room is still a mess, but I can start to see the editing suite underneath it all. Within a week or two I should get all of my equipment delivered, and then I can really start to set things up.

Designing an online edit suite: An alternative desk

My last post was a good attempt at brainstorming how my new video editing desk should look. Unfortunately, the guy at Home Depot constructed the quote incorrectly, and didn’t include a 7.50$ charge for every linear foot of countertop for finishing the edges. Using the correct numbers, my previous design would cost 400$ more than I thought.

That put the price was back up to 1000$, which is just too high for a self-built desk. It was time to rethink the complicated concept of the strangely-shaped desk with wings. I recently went back to Powderhouse to do some work in their online suite where they just have a basic rectangular desk that’s 7 feet wide and 3 feet deep with a riser. I’ve been using that desk for close to four years now, and despite the square shape it works well.

The only problem with that desk is I can’t rotate the CC monitor as far as I’d like. It’s an older CRT model (( “Older” does not mean “out of date.”CRT monitors are still considered the best for color correction because they produce extremely dark blacks, but they just aren’t manufactured any more.)), and CRT monitors are big, heavy cubes. The riser is 18” deep, but even that depth isn’t enough to rotate the monitor properly. As I spin the monitor, the feet on the bottom quickly fall off the edges of the riser. I won’t have that problem in my suite because my CC monitor will be a shallow LCD panel on a swiveling base. I went home and created a new, simpler design nearly identical to what I’d been using at Powderhouse. Using the new, more accurate numbers I had from Home Depot, I got a total price of $600 or so.

About this time, another option presented itself. Char told me that just up the road was a furniture liquidators store — they have thousands of square feet of warehouse space and buy old cubes and desks from companies for reselling. Although standard office furniture doesn’t work right for me, the company also fulfills custom quotes. I took a short drive up the street ((it was very cold, or else I could have walked)) and worked with the nice woman at the warehouse to draw up a design. What I got back was just what I wanted — the desk I’d been using all this time:

Custom desk design
Custom desk design

The price was higher than the Home Depot + Ikea option, but not by much, and I wouldn’t have to attach the legs or construct the riser myself. I only had a vague plan for nailing lengths of shelving together to make the riser, so having it included was a big plus. Furthermore, it’s a real desk, not a homebrew combination of countertops, legs, and lumber. It will be all black with matching legs. So I ordered the custom desk. It won’t be ready until the end of January, but it’ll be worth the wait.

Eventually I will need at least one side desk, but I’ve decided I can wait until the last minute to buy it. Unlike huge, editing-specific desks, small desks are a dime a dozen and can be had everywhere. When I need one, I’ll stop by Staples or Ikea and get it.

Designing an online edit suite, Part 2: Furniture and Space

This is my second post about my plans to construct an online editing and color correction suite for my own work.

As I suspected, this designed changed and the quote below is inaccurate. So, please disregard the plans contained within. Instead, check out the final desk I decided to purchase

Last time I talked about what computer equipment I would probably need in my edit suite. Now that I’ve got all this great (hypothetical) hardware, where do I put everything? I could just get a cheap desk and a folding chair, but that’s the wrong way to go. I need to work efficiently, and a plain rectangular desk is not the right shape for working with three monitors, a keyboard, and a tablet. I also can’t cheap out on the chair unless I want to get carpal tunnel syndrome.

I also have other reasons for not skimping on furniture. For a production, online editing and color correction are some of the highest dollar-per-hour expenses. The equipment is expensive, the labor is highly-skilled (IMHO), and the time-frame per job is short. Clients rightly want to feel like they’re getting their money’s worth. It’s hard to see where that money is going if the equipment is in another room, and watching someone use a computer is notoriously boring.

This expense is why million-dollar online rooms have track lighting, espresso machines, and leather couches. It’s similar to the broken-windows theory ((see also this dutch study.)). If I have a cheap desk and a broken couch, that implies I take the same attitude toward my hardware purchases — it’s probably a bunch of half-working cobbled-together junk. Sure, I could charge the client less if I didn’t spend so much on the decor, but the percentage of the budget spent on furniture is small compared to the hardware and software. Physical goods are more cost-effective than electronic, so a smaller amount of money goes a longer way.

The Desk

The most expensive piece of furniture is The Desk. Entire companies exist just for making media desks and furniture. These desks are very nice. They curve around, so the operator can look directly at all the monitors. They have risers, which provides more space for mixers, consoles, and other gadgets. They are also really, really expensive, like $3000+.

I want to hit a sweet spot — not a regular rectangular craigslist desk, but not a crazy-expensive professional media desk. My best option is to build it myself. I don’t have a CAD program, but I do have a vector-graphics program called Inkscape that is similar to Illustrator. I set my units to inches, and simply drew the room with a desk in it:

Desk drawing

For the monitors, tablet, keyboard, and chair, I drew rectangles the same size as the items themselves. I let these objects determine the size of the desk. Right now the space between the chair and the couch looks a little tight, but the couch and door are estimations ((Char insisted I include the cat for scale)). The speakers are shown free-standing, but I may end up just putting them on the desk.

I wanted to get the wrap-around effect using simple shapes, so I started with a rectangular top and chopped the corners off. Then I can make two smaller wings that fit flush onto the diagonal sides. The wings may have four legs (so they can move), or I might give them only two legs and have them attach to the main desk. The riser consists of a simple bookshelf with some more board screwed and glued to elevate it.

I went to Home Depot ((I’m not even going to link to their web site, it’s worthless)), and found they can make a custom countertop with a simple flat black finish for 14$ a square foot. I can get them to make the tops and then attach adjustable-height legs from Ikea to complete the desk. Adding everything up, this is what I get:

Note: I haven’t built this desk, so I may discover that the legs are no good or the particleboard counter needs reinforcement. This post is not sound construction advice.
Desk Tops:
per sqft w h
Main Desk $248.76 $13.82 72 36
Desk Wing L $55.28 $13.82 24 24
Desk Wing R $55.28 $13.82 24 24
Legs:
per leg # of legs
Main Desk $90.00 $15.00 6
Desk Wing L $30.00 $15.00 2
Desk Wing R $30.00 $15.00 2
Main Desk Riser:



Regular shelf $14.00
wood to rise $10.00
Main Desk Total $362.76
Single Desk Wing Total $85.28
Subtotal $533.32
Tax $26.67
Total: $559.99

Is 560$ too much to pay for a good desk? It’s half the lowest price I’ve been quoted for either professional edit furniture ($3000) or a custom-made birch desk ($1000). It’s only 5% of the cost of the rest of the editing suite.

Other than the desk, there are a few other basic things I will need, all of which I can get for free or are inexpensive:

  • Couch: I may have access to a free loveseat, and if it’s presentable and comfortable I’ll use that. Otherwise, Ikea to the rescue again!
  • Main lighting: I will probably bring my nice floor lamp from home, where I’m not really using it
  • Back lighting: I just need a small fixture to aim at the wall. This can be inexpensive because it’s hidden

The nice thing about this room is that the server room is on the other side of the wall. This means I can run the cables through the wall and put all of the computers with their loud, whiny fans in there, keeping the online room quiet.

Designing an online edit suite, Part 1: Can I Afford It?

This is the first in a series of posts I’m planning that will cover the budgeting, design, and possibly even construction of my own online editing suite. The whole plan could fall apart if the income doesn’t justify the cost, but my preliminary spreadsheet-fiddling has been promising.

I left a staff position in September to become a freelance editor, and while I’m happy I made the switch, there’s one big problem I have: I don’t have my own editing suite. All I have is a copy of Avid that I use to edit my reel, and for basic editing that works fine. But the work I get paid for is color correction and online editing, and a dinky laptop is not powerful enough to handle that type of work.

So far I’ve been able to work around the problem by using my clients’ equipment. I have a tablet and monitor calibrator that I bring to the gig, and I spend a few minutes getting everything set up. Even so, this means the color is inconsistent because I use a different monitor every time, and often the process is slowed down because the system I’m using isn’t fast enough. And frankly, I’m picky about ergonomics, so I get frustrated when the chair is uncomfortable or when the light isn’t right. To do this work properly, I really need my own edit suite.

First and foremost, a fully-equipped online editing system is expensive. Can I get enough work to afford it? If I buy the system, will that allow me to do more work, or will I have to raise my rates to pay for it and therefore price myself out of the market? Taking advice from my girlfriend, I’m not going to let the price of the system determine how much work I need to bring in. I will try first to figure out how much work I can get, then see if that’s enough to pay the expenses. If the numbers don’t work, then I can’t afford the system.

Tasks

To know what I need to buy, I need to know exactly what I’m going to be using the system for. Based on the past couple months, I will continue finishing and grading independent projects in Final Cut and Apple Color, possibly outputting to various tape formats. I do not foresee working with high-res 2K 4:4:4 images, so I don’t need a super-fast RAID or the highest-end Kona card. Similarly, I’m not doing audio mixing, so while I don’t want tiny computer speakers, they don’t need to be stellar.

Taking all of this into account, I specced out the following system ((I’ve added links for price reference, but I will probably buy the whole package through my local reseller)):

Hardware
Mac Pro tower (dual-quad 3.0GHZ w/ 8g 3rdparty RAM) $4,000.00
Samsung 22” monitor $260.00
HP DreamColor monitor $2,500.00
E-SATA external 1TB drive $120.00
E-SATA cable and bracket $30.00
AJA KonaLH I/O card $1,300.00
Blackmagic Sync Generator $300.00
Wacom Tablet $500.00
Mouse and pad ((I love these mice. They feel great, are cheap, and last forever)) $23.00
Blue Sky 2.1 speakers $350.00
Behringer Audio Mixer $60.00
Power strip / cables $20.00
Software
Final Cut Studio $1,130.00
Magic Bullet Looks $400.00
Already invested $900.00
Total Additional Necessary
$10,093.00

This is just a rough back-of-the-envelope calculation. It does not include tax and shipping, for instance. But it serves to get me in the ballpark — 10 grand. That 10 grand, spread out over the lifetime of the various parts, comes to about 3700$/year that this system needs to bring in to justify itself.

There are choices I’ve made that might be surprising: is a DreamColor really good enough for professional color grading work? Is 1TB of un-RAIDed storage a good idea? Should I get an Avid Mojo DX so I can finish in Avid as well? Or should I just get The Duck?

Based on my experience, the DreamColor is a big step forward for LCD reference monitoring. It’s no high-end CRT, but for the price range I’m targeting it’s great. For most indie projects, 1TB of storage will be fine. As long as I back up project files, I’ll be working on duplicated media anyway. If the drive should die, the client will still have their own files. As for Avid compatibility, that’s up to the work I can get. Right now everyone is using FCP. But if I have to turn away Avid customers, I’ll have to consider the Duck or a Mojo DX.

What if I want to take it to the next level, though? What if I want to do Avid work, and uncompressed HD work? I’m going to need to add equipment:

Hardware
Second Monitor $260.00
LifeZero 4TB RAID $2,000.00
Upgrade to Kona3 $1,200.00
Blackmagic SDI to HDMI converter ((So that, with the Mojo, I can use the DreamColor as a reference monitor)) $500.00
Avid Mojo DX $7,500.00
Additional Cost $11,460.00

Ouch, double the cost. Have I complained yet about the high cost of Avid equipment? It’s really tough to justify a Mojo DX unless I get a big contract or something.

Now that I have an idea of what the system looks like, what about where to put it? There’s more to a suite than the hardware and software. My next post will cover room design, desks, and other environmental considerations.

Elect-o-meter for linux

Boingboing had a neat post about an “elect-o-meter” that one could hack up — basically a plastic cup that glows red or blue depending on who is winning the election.

I don’t have the necessary hardware though, so I took the code and made a software version:

elect-o-meter

The purple will become more blue or more red depending on who is winning, and then when a winner is declared it will turn fully red or blue. Because the purples are very difficult to discern by eye, I print the actual percentages below.

Here’s the source code. Just run it on a Linux machine and it should work.

How to watch post-season baseball without wanting to stab yourself in the face

You want to watch the post season, but you can’t stand the awful, brain-dead commentary. What do you do? Well, if you use linux, you can spend 7 innings out of nine trying to get jack audio to work — which, when it finally does work, does the job well:

Using jack to delay audio

For those who aren’t familiar with JACK, it’s a “professional”-quality audio library that’s designed for low-latency audio routing and mixing. It’s great if you want to easily pipe audio from one application to another. In this case, I want to take the baseball AM radio broadcast, feed it into my laptop, delay it 7 seconds, and then output it.

So, you can see in the “Connections” window (using the program qjackctl) that the system input is tied to a program called jack-rack, and then jack-rack is fed back to the system output. Jack-rack is a program that supports many interesting audio plugins, like echos, flanges, pitch changes… and delays. Here, I have a seven second delay turned on.

And that’s it. All the difficulty with JACK is getting it to work without stuttering or skipping, which required that I install a “realtime”-quality kernel, edit files in /etc/security, and tweak all sorts of stupid options. As I say, it took me 7 innings of Game 6.

But now it’s working, and I can enjoy game 7 with good commentary from the very beginning!

(It occurs to me I should have gotten this working sooner in the season, but I had forgotten just how bad the national announcers were)

edit: Ah yes, why the delay at all? Because the HD feed is delayed by 7 seconds compared to the radio broadcast. I probably should have mentioned that.

Me-meme

Me needing a haircut

Via blizzard.

  1. Take a picture of yourself right now.
  2. Don’t change your clothes, don’t fix your hair…just take a picture.
  3. Post that picture with NO editing.
  4. Post these instructions with your picture.

I thought briefly about aiming my cell phone camera at myself, and then realized that this is exactly what cheese is for.

This meme has resulted in a boost to the local economy — I need a hair cut.

Lastly, yes, that’s Totoro in the background with a sox batting helmet.

Music Video Grading


Recently I did some color correction for the dudes who did the stop motion fight video “Tony vs. Paul” you may have seen on youtube. They were doing a music video for the Gabe Dixon Band and needed someone to pull the excessive warmth out of the images. I brought over my trusty tablet and helped them find a good look for the video.

I’m happy with how it turned out. I was able to rediscover the colors that had been used to light the band, including a really nice blue rimlight. I took that same blue and pushed it into the shadows which really cooled the whole thing down. I also used a secondary correction ((secondary correction: A color correction that is only applied to part of the image. In this case, only parts of the image with a certain type of red were affected)) to boost the color of the red shirts which animate on-screen.

Unfortunately, the black levels are still too inconsistent, and the color grading introduced some ugly dithering and banding in the shadows ((the video was shot on the Red Camera, so this banding really shouldn’t have happened — I’m not sure where it came from)). Next time I’ll watch the blacks more closely and make sure they’re smoother.

You can watch the whole video (click through to Vimeo to see it larger) and I have some after-and-before stills below. Roll over the images to see how they looked coming out of Final Cut.